Skip to main content

The Ten Best TV Shows of 2019

Best of TV 2019

10. BH90210 (Fox)

What an unexpected delight this show was. While the original Beverly Hills, 90210 was before my time, I found plenty to enjoy in this funny and shiny reboot. The premise sees the cast playing fictionalized versions of themselves preparing to reboot the '90s teen drama that made them famous. Their willingness to poke fun at their images made for a great satire of celebrity culture.

9. The Great British Bake Off (Channel 4 in the UK, Netflix in the US)

In its tenth year, this show is old news. Nothing new or surprising can be evinced from this format. So why on Earth did this season nearly bring me to tears multiple times? I don't have an explanation, I just know how it made me feel. Perhaps it had something to do with this crop of contestants, but the nicest reality competition there is made for some for most pleasant viewing experiences of the year. 

8. Mrs. Fletcher (HBO)

Based on the Tom Perrotta novel, Mrs. Fletcher charts a woman's journey of sexual discovery following her son's departure for college. It's funny and empathetic, but its greatest strength as is a showcase for its star, the incredibly talented Kathryn Hahn. For over a decade, Hahn has been giving wonderful comic performances, but mostly in supporting parts. To see her get her own show, especially one as nuanced as this one, is really great.

7. Servant (AppleTV+)

At first I wasn't sure if Servant was a good show or if I was just in love with the incredible townhouse in which the majority of the show takes place. Five episodes in, I've determined that it's a good show that just happens to have the best fictional real estate of 2019. Seriously, I'd move in tomorrow if I could afford it and if it were real. Anyway, it's a creepy and twisty show about a couple who hire a nanny. To say any more would be to give away the show's many thrills. Lauren Ambrose fully commits to her role as the wife and gives one of my very favorite performances of the year.

6. Country Music (PBS)

Fall TV has been a real treat for country music lovers. Not only did we get the excellent Lifetime biopic Patsy & Loretta starring Megan Hilty and Jessie Mueller, we got a glorious and comprehensive 16 hour long documentary from Ken Burns. Always informative and often surprising, Country Music is essential viewing for anyone who considers himself a music fan. 

5. The Crown (Netflix)

Season 2 of The Crown remains one of my favorite seasons of television ever, so the bar was set high for season 3, which replaced its entire cast with new actors to portray older versions of the characters. Olivia Colman took the crown from Claire Foy as Queen Elizabeth, Tobias Menzies stepped in for Matt Smith as Prince Charles, and Helena Bonham Carter replaced Vanessa Kirby as Princess Margaret. Any concern I had that the old actors would be missed disappeared thanks to the series' consistently insane production values and impeccable episodic storytelling.

4. Evil (CBS)

If you're not watching Evil, then you're missing out on one of the best new shows of the year. From Robert and Michelle King, it dramatizes the debate between religion and science in a compelling and smart way. The central trio of investigators hired by the Catholic Church to investigate cases of possible possession and other mysteries have terrific chemistry as played by Katja Herbers, Mike Colter and Aasif Mandvi, making the show always enjoyable to watch even as the plot can get spooky and occasionally disturbing. Like how the King's earlier show BrainDead attempted to explain our polarized political system by way of alien infestation, Evil is hinting at a larger source of all the evil in our world today. I can't wait to see where this is going. 

3. Fleabag (BBC in the UK, Amazon Prime in the US)

It's been a long three years to wait for Phoebe Waller-Bridge to bring us another round of her sharp and poignant comedy, but it was well worth the wait. I still slightly prefer the first season (which didn't generate nearly as much online buzz as the second one, curiously), but it's still just about the funniest thing I've seen all year. 

2. Succession (HBO)

I try to avoid putting shows that were on my list last year on this year's list (otherwise it'd just always be dominated by This Is Us and Mom), but I had to make an exception for the absolutely brilliant second season of Succession. Its incisive take on the super rich is mean, urgent and very fun to watch. 


1. Fosse/Verdon (FX)


I don't know if Fosse/Verdon is for everyone. I don't know if you need to be a Broadway nerd like I am to appreciate it. All I know is what I saw and what I saw I loved. A nonlinear portrait of the professional and personal partnership between Broadway legends Bob Fosse and Gwen Verdon, the miniseries illustrates the ways the industry will excuse the bad behavior of male geniuses while simultaneously ignoring the contributions of female collaborators. The chaotic, often violate artistic charge that drives the central figures is brought to life through terrific performances by Sam Rockwell and especially Michelle Williams, whose portrayal of Verdon is so theatricality vibrant that it's my favorite performance of 2019. Fosse/Verdon conjures up the magic of Broadway classics like Chicago and Pippin and film classics like Cabaret, but it demystifies the stories of their creation at the same time. The glamour of '70s New York is really just the setting for what is, essentially, a melodrama about the messy end of a marriage. It's a stylish tragedy about two people afflicted with the disease that is show business. 

Thank you for reading my Top Ten TV Shows of 2019. Feel free to leave a comment or to add your own list below.

Comments

Popular posts from this blog

Spring 2026 Broadway Review Roundup: Every Brilliant Thing, Giant, Dog Day Afternoon, and More

ChannelTim must keep up with the times, so I’ve joined TikTok! I am reviewing the New York spring theatre season over there, so go throw a follow my way . For those of you not on that app, I’ll be doing a couple of review roundups here. Below are the scripts for my videos.  Every Brilliant Thing Daniel Radcliffe returns to Broadway in Every Brilliant Thing,  on the very stage where he last appeared, in the Tony-winning revival of Merrily We Roll Along . Whereas Merrily showcased his chemistry with his co-stars, this time around, Radcliffe’s the only credited actor on the stage, although he’s not entirely alone, as Every Brilliant Thing incorporates a good deal of audience participation. Now, I know a lot of you out there are weary of shows with audience participation, I know I am, but here I thought it was not awkward at all, and that wasn’t an easy task considering there are multiple scenes that require these audience members to play character and hit emotional beats. Espe...

The Ten Best Movies and TV Shows of 2021

  No explanations. No apologies. These are the lists and they ARE definitive.  Top Ten Films 10. The Last Duel (Scott) 9. Halloween Kills (Green) 8. No Sudden Move (Soderbergh) 7. Cry Macho (Eastwood) 6. West Side Story (Spielberg)  5. The Dig (Stone) 4. Barb and Star Go to Vista Del Mar (Greenbaum) 3. CODA (Heder) 2. Bergman Island (Hansen-Løve) 1. The Lost Daughter (Gyllenhaal) Top Ten Television Shows 10. Invasion (AppleTV+) 9. Evil (Paramount+) 8. The Real Housewives of Beverly Hills (Bravo) 7. Ghosts (CBS) 6. Maid (Netflix) 5. It's a Sin (Channel 4 in the UK, HBO Max in the US) 4. Couples Therapy (Showtime) 3. Succession (HBO) 2. Mare of Easttown (HBO) 1. The North Water (BBC Two in the UK, AMC+ in the US)

Spring 2026 Broadway Review Roundup #2: Death of a Salesman, Cats: The Jellicle Ball, Becky Shaw, and More

ChannelTim must keep up with the times, so I’ve joined TikTok! I am reviewing the New York spring theatre season over there, so go throw a follow  my way . For those of you not on that app, I’ll be doing a couple of review roundups here. Below are the scripts for my videos.  Monte Christo It’s no easy task to take a work of 19th literature and adapt it into a musical. For every Les Mis , there are half a dozen Jane Eyre s and Dracula s. But that track record has not daunted the writers of Monte Christo: A New Musical , who approach the source material, The Count of Monte Christo by Alexandra Dumas, with a bewildering combination of pep and disinterest. For a show that was only two hours long including an intermission, there was always going to be a lot of truncation of the plot, and that’s fine, but Monte Christo is also lopsided structurally. Most of act one is is taken up by the set up of Edmund Dantes getting set up, and he doesn’t take on the identity of the Count until ...