ChannelTim

ChannelTim must keep up with the times, so I’ve joined TikTok! I am reviewing the New York spring theatre season over there, so go throw a follow  my way . For those of you not on that app, I’ll be doing a couple of review roundups here. Below are the scripts for my videos.  Monte Christo It’s no easy task to take a work of 19th literature and adapt it into a musical. For every Les Mis , there are half a dozen Jane Eyre s and Dracula s. But that track record has not daunted the writers of Monte Christo: A New Musical , who approach the source material, The Count of Monte Christo by Alexandra Dumas, with a bewildering combination of pep and disinterest. For a show that was only two hours long including an intermission, there was always going to be a lot of truncation of the plot, and that’s fine, but Monte Christo is also lopsided structurally. Most of act one is is taken up by the set up of Edmund Dantes getting set up, and he doesn’t take on the identity of the Count until ...

ChannelTim must keep up with the times, so I’ve joined TikTok! I am reviewing the New York spring theatre season over there, so go throw a follow my way . For those of you not on that app, I’ll be doing a couple of review roundups here. Below are the scripts for my videos.  Every Brilliant Thing Daniel Radcliffe returns to Broadway in Every Brilliant Thing,  on the very stage where he last appeared, in the Tony-winning revival of Merrily We Roll Along . Whereas Merrily showcased his chemistry with his co-stars, this time around, Radcliffe’s the only credited actor on the stage, although he’s not entirely alone, as Every Brilliant Thing incorporates a good deal of audience participation. Now, I know a lot of you out there are weary of shows with audience participation, I know I am, but here I thought it was not awkward at all, and that wasn’t an easy task considering there are multiple scenes that require these audience members to play character and hit emotional beats. Espe...