Skip to main content

Oscars 2017: Who Will Win?

Image
By

2017 Oscar Predictions


This year there is no mystery as to which movie is going to be the big winner on Oscar night, as La La Land is sure to dominate. That movie earned a record tying 14 nominations and will undoubtedly win Best Picture, Best Director, and Best Actress. The question now becomes just how many of those nominations will turn into wins. I do not think it's going to break the record for most wins (which is currently at 11 held by Ben-Hur, Titanic, and The Return of the King). Tying the record is certainly possible, but I think 10 wins sounds about right. To see a complete list of nominees, click here.

Here are my predictions with analysis on some of the major categories:

Best Picture: La La Land

There's nothing to analyze here - La La Land is going to win. 

Best Actor: Denzel Washington, Fences 

This is probably the toughest category to predict and it's down to either Denzel Washington or Casey Affleck for Manchester by the Sea. Affleck was the presumed frontrunner for most of award season until Washington beat him for the SAG Award. It's been 13 years since the SAG winner did not repeat at the Oscars, which is why I am predicting him for now. 

Best Actress: Emma Stone, La La Land

I'm pretty confident it's going to be Stone. Her biggest competition is Isabelle Huppert, but performances in foreign language films very rarely win. Still Best Picture and Best Actress have not gone to the same movie since Million Dollar Baby and no Best Actress has won for a musical since Liza Minnelli in Cabaret. 

Best Supporting Actor: Mahershala Ali, Moonlight

Although he surprisingly lost the Golden Globe, Ali has won pretty much every award in existence for Moonlight. No reason to think he won't win the Oscar, especially since the Globe winner, Aaron Taylor Johnson, was not nominated by the Academy. 

Best Supporting Actress: Viola Davis, Fences

Another easy category to call. Everybody is talking about how it's time for Viola Davis to finally win an Oscar, even if her placement in the Supporting Actress category has been called into question by some. 

Best Original Screenplay: Manchester by the Sea 

If La La Land is going to to tie the record for most wins, it'll do so by winning this category. It's possible, but I just cannot fathom a world where Manchester by the Sea doesn't win a single Oscar. 
Best Director: Damien Chazelle, La La Land
Best Adapted Screenplay: Moonlight
Best Original Score: La La Land
Best Original Song: "City of Stars," La La Land
Best Sound Mixing: La La Land
Best Sound Editing: Hacksaw Ridge
Best Cinematography: La La Land
Best Costume Design: La La Land
Best Production Design: La La Land
Best Makeup and Hairstyling: Star Trek Beyond
Best Film Editing: La La Land
Best Visual Effects: The Jungle Book
Best Animated Film: Zootopia
Best Documentary Feature: OJ: Made in America
Best Foreign Film: Toni Edrmann
Best Animated Short: Piper
Best Documentary Short: The White Helmets
Best Live Action Short: Ennemis Interieurs 

 The Oscars air February 26 on ABC. Let me know who you are predicting to win in the comments below!
Labels:

Comments

Post a Comment

Leave a comment!

Popular posts from this blog

Drew Barrymore Gives Two Great Performances in Misguided Comedy "The Stand In": Review

By
Drew Barrymore fans haven't exactly been starved for content lately. Her cheery, fully unhinged new daytime talk show has provided a host of gif-able moments. But, it is significant that The Stand In , out now on VOD, is the first feature film she has appeared in 5 years (since the underrated  Miss You Already ). And I wish I could report that her return to the big screen (well, not big at the moment, but you know what I mean) is a triumph, but The Stand In is a deeply flawed movie, in spite of a game and spirited lead actress. Barrymore has a dual role in the film, a satire of celebrity culture. She plays Candy Black, an ex-movie star whose career was derailed by a volatile on-set tirade, and Paula, Candy's wacky stand in. The plot kicks in when Candy has Paula swap places with her ahead of her court-mandated rehab stay, and Paula takes a liking to the limelight and plots to steal Candy's life. Those are the basics, it's actually a lot more complicated than that, whic...
Post a Comment
Read more

Aubrey Plaza and Elizabeth Olsen are Excellent in Timely Comedy "Ingrid Goes West": Review

By
Film Review: Ingrid Goes West I was worried based on the trailers and marketing for Ingrid Goes West that it was going to be a cautionary tale about the perils of social media. One of those condescending 'lessons' about how much better the world would be if we still used rotary phones and things like that. You know, stuff like this . Thankfully, Ingrid Goes West is not that, it's not even about social media despite being set in the Instagram Age. Written by Matt Spicer and David Branson Smith and directed by Spicer, the movie is about Ingrid (Aubrey Plaza), who has recently been released from a mental hospital and following the death of her mother decides to reinvent herself in Los Angeles, inspired by the Instagram feed of a seemingly perfect influencer named Taylor Sloane (Elizabeth Olsen). Using clues from her Instagram, Ingrid tracks Taylor down and befriends her. Yes, Instagram plays a large part in the story, but it's one that could be (and has been) told i...
Post a Comment
Read more

New "Twin Peaks" is a Puzzling and Maddening Experience: Review

By
TV Review: "Twin Peaks: The Return" Disclaimer: This review contains major spoilers for the original Twin Peaks and minor spoilers for Twin Peaks: The Return. The original Twin Peaks , created by Mark Frost and David Lynch, is one of the most beloved and iconic television series of all time, despite only running for 30 episodes on ABC in 1990 and 1991.  Heavily influenced by daytime soap operas, it featured several hallmarks of that genre: a sleepy town, an ensemble of wacky characters, an ongoing mystery, and the illicit and adulterous underside of the facade of a wholesome American small town. Of course it was also more that, and as the series went on it became more of a supernatural exploration of good and evil, but the soapy trappings gave the series a shape and a structure. The highly anticipated revival miniseries, now airing on Showtime, eschews shape and structure altogether in favor a more puzzling, maddening creation.
Post a Comment
Read more