Skip to main content

Film Review: "Clouds of Sils Maria"

Film Review: "Clouds of the Sils Maria"


                                                



The play's the thing in Olivier Assayas' latest film, Clouds of Sils Maria, which stars Juliette Binoche as an actress preparing to star in a revival of the play that made her famous. The twist is that Binchoce's Maria Enders is playing the older woman of the play, who is driven to suicide by the younger woman, originally played by Maria and now being played a tabloid-friendly starlet (Chloe Grace Moretz). This set-up allows for the film to reflect on the passage of time and how we react to it. It's an interesting subject, and as the parallels between the play and the film, and the film and real life begin piling up, it's clear that Clouds of Sils Maria is operating on multiple levels. 



Kristen Stewart co-stars as Maria's young assistant, Valentine. Much of the film consists of Maria rehearsing her character Helena's lines, with Valentine reading the other part, Sigrid. These scenes take place at a house in the Swiss town of Sils Maria and along hiking trails in the Alps. It's not big on plot, but the characters are so richly drawn, you'll never want it to end. 

The acting is excellent. Binoche delivers a theatrical, calculated, precise performance. Stewart, on the other hand, takes a more modern approach, she's subtle, borderline naturalistic. The films seems aware the different acting styles, and almost comments on them as the lines between the characters in the film, and the characters in the play begin to blur. 

Moretz's character, the star of a science-fiction movie and having an affair with a married novelist, introduces the idea of what a culture values and how that changes over time. This subplot occasionally feels like a distraction to the main story, but Moretz is very good in the role.

Ultimately, more films should focus on less on the plot of the story, and more on what its trying to say. Clouds of Sils Maria, for all its ambiguities and complexities, is a film that knows what its about. 

Comments

Popular posts from this blog

"My Mind Turns Your Life Into Folklore": Why Taylor Swift's "Gold Rush" Is a Song About Songwriting

"My mind turns your life into folklore." That line, from the song "Gold Rush," is the only time the word "folklore" is spoken on either of Taylor Swift's 2020 records, Folklore and Evermore , the latter of which is where the song appears. The presence of the line indicates that "Gold Rush" is a pivotal song not only in Swift's lockdown duology, but in her maturation as a songwriter.  Swift's early albums often drew heavily from her own experiences, with fans and the media scouring her lyrics for clues as to which ex-boyfriend her numerous breakup songs referred. Her tumultuous dating life made as many headlines as her music, in part because it informed so much of the music. The discourse was often ridiculous and reductive, and thankfully, that period of her career is over (Swift has been in a relationship with the actor Joe Alwyn since 2016).  Both of her 2020 albums have their fair share of autobiographical songs, but they also see ...

New "Beauty and the Beast" Fails to Put New Spin on the Tale as Old as Time: Review

Film Review: Beauty and the Beast The new live action version of Beauty and the Beast is not very good. The film's best moments come directly from the 1991 animated version, which I once named the  best animated Disney film of all time . It seems so preoccupied with recapturing what made that movie so great that it forgets to make this one unique or different in any way. At every possible chance director Bill Condon has to establish an interesting visual look for the film, he defers to the animated film and copies its look. What is the point of making a live action version of an animated movie only to make it look like its animated? Beauty and the Beast never answers that question, and the result is an uninspired retread of a classic story.

Aubrey Plaza and Elizabeth Olsen are Excellent in Timely Comedy "Ingrid Goes West": Review

Film Review: Ingrid Goes West I was worried based on the trailers and marketing for Ingrid Goes West that it was going to be a cautionary tale about the perils of social media. One of those condescending 'lessons' about how much better the world would be if we still used rotary phones and things like that. You know, stuff like this . Thankfully, Ingrid Goes West is not that, it's not even about social media despite being set in the Instagram Age. Written by Matt Spicer and David Branson Smith and directed by Spicer, the movie is about Ingrid (Aubrey Plaza), who has recently been released from a mental hospital and following the death of her mother decides to reinvent herself in Los Angeles, inspired by the Instagram feed of a seemingly perfect influencer named Taylor Sloane (Elizabeth Olsen). Using clues from her Instagram, Ingrid tracks Taylor down and befriends her. Yes, Instagram plays a large part in the story, but it's one that could be (and has been) told i...