Skip to main content

Ranking the Songs of Muppets Most Wanted

Ranking the Songs of Muppets Most Wanted


Since it is still technically opening weekend for the latest installment in the Muppet franchise, I thought it'd be appropriate to rank the original songs featured in the film, from worst to best. Bret Mckenzie, who won an Oscar writing songs for "The Muppets" returns to write them again this time around. "Most Waned" is definitely more of a musical than the last one, and, in my opinion, the songs are better. None of them are duds, each one great in their own way. That's why ranking them isn't an easy thing to do, but I'll try anyway. 

6. Interrogation Song

Despite being ranked last on this list, "Interrogation Song" is in no way a bad song. It's just that I thought the others were better. Hilariously preformed by Ty Burrell and the Muppet performers, mainly Eric Jacobson, who preforms Sam Eagle, the song is almost all plot and lacks a catchy tune that the others have. Even though it is masterly written and the lyrics are incredibly clever, it really only makes sense within the context of the film, so I don't think I'll be replaying this one as much as the ones to come.

5. I'm Number One

This jaunty number is preformed by Rick Gervais and Matt Vogel as Constantine the Frog. This tune is very memorable and witty, and is accompanied by some very impressive puppetry. But it also has the opposite problem of "Interrogation Song", catchy hook, but doesn't really move the plot forward. The whole point is to establish the relationship between Constantine and Dominic Badguy. But this was already accomplished by a few lines of dialogue. It seems a bit odd to reinforce this idea so heavily that earlier in the film, and feels almost like an excuse just to show the cool things they can do with puppets.

4.The Big House

First of all, I love this song. This might be my favorite song in the whole film, and is preformed by the amazing Tina Fey. The only reason it isn't higher on this list is that as great as Fey is, she's not a Muppet.

3. We're Doing a Sequel

This one is the big opening number. When the Muppets realize they get to do it all again, and prove the their last film wasn't a fluke, and they're here to say.The number is a bit disjointed form the rest of movie, but the music is wonderfully engaging, and the lyrics are very smart. It does a great job at opening the film, and letting the audience know not to expect too much because "Everyone knows the sequel's never quite as good!" 

2. Something So Right


This is Miss Piggy's big number of the film. An emotional ballad, the song does a great job at letting the audience figure out where the heart comes from. It also is extremely effective at exploring the relationship Piggy and Kermit. The only issues I have with the number is that Celine Dion is severely underused.

1.I'll Get You What You Want (Cockatoo in Malibu)

This number is perfect. Sung by Constantine, trying to convince Piggy that he's Kermit, the song is reminiscent of disco songs from the'80s. The beat is quick, and Vogel's performance is nothing short of brilliant. I wouldn't be surprised if this song is a big winner come February 22, 2015.

Comments

Popular posts from this blog

Must See TV? A Look Back on September 16, 1993 featuring Seinfeld, Frasier, and More

What do you think about when autumn rolls along? Falling leaves, perhaps? Apple picking? If you’re anything like me, it’s new TV shows. When I was growing up in the ‘00s and early ‘10s, I would pore over the fall schedules of each of the networks and get excited by the new series premiering and my favorites returning. This was before the streaming wars ruined television. Before Hollywood was overrun by tech. It wasn’t actually all that long ago, but it feels distant and irretrievable. I was so much younger then.  Fueled by that feeling of nostalgia that returns every September, I felt it’d be worth my time to revisit TV’s past, back through the years to before my era. I decided to recreate the programming on NBC on September 16, 1993 - the first Thursday night of the 1993-94 season, which was the one that introduced the famous “Must See TV” branding. I hope using the lens of one specific night of programming will be a useful and unique way to think about these shows, which have bee...

WB Stars in Peril: On Late ‘90s Horror

This post began as an essay written for the exclusive enjoyment of the attendees of my all day VHS horror movie marathon that I hosted at my apartment on October 18th, 2026. The theme of the marathon was late ‘90s teen horror, so we watched Final Destination, Urban Legend, The Faculty, I Know What You Did Last Summer, Scream, and The Blair Witch Project . As a Halloween treat for my loyal readers, I decided to share the essay with you all. Happy Halloween! The slasher flick was dead, to begin with. There is no doubt whatever about that. So, when  Scream  opened to boffo business at the box office in December 1996, kicking off not only a new franchise but an entire horror film revival, it was a plot twist worthy of the genre. For the next five or so years, the studios would release multiple teen slashers a year, constituting a boom time for a genre that was seen as long past its heyday of the late ‘70s and early ‘80s. These imitators of  Scream  took the template set...

The Happy Time: ranking Kander & Ebb Musicals

  My journey into the musical world of Kander & Ebb continues on YouTube! Watch the video, or, if you’d prefer, read my script below.  Intro After last week’s discussion of an iconic musical, today we’re traveling back to the realm of obscure flops. I’ve been ranking every Kander and Ebb musical based on listening to the original Broadway cast album. I have videos on my channel discussing Flora the Red Menace and Cabaret already, so be sure to check those out as we turn our attention to the third show by John Kander and Fred Ebb to hit Broadway, 1968’s The Happy Time .  I had heard of this show but I never before listened to this album, and I didn’t even know any of the songs. Everything I did know about this show came from reading William Goldman’s classic book The Season . If you haven’t read this, I highly recommend it. Written by the screenwriter of Butch Cassidy and the Sundance Kid and The Princess Bride, The Season is a non-fiction book about all the ...