Skip to main content

The Ten Best films of 2018


Top Ten Films of 2018


10. Mission: Impossible - Fallout

Action movies aren't really my thing. But I do like the Mission: Impossible franchise, and despite the fourth and fifth installment's veer toward the generic, the sixth one has emerged as a serious contender for the best M:I movie yet. The action sequences are genuinely, the script is smart, and the direction feels alive. Tom Cruise, of course, anchors the film, but it also has good moments for Ving Rhames, Rebecca Ferguson, Henry Cavill, Angela Basset, and soon-to-be-major-movie-star Vanessa Kirby. 

9. Tully

The first of two Mary Poppins stories featured on this list, Tully has direction by Jason Reitman, a script by Diablo Cody, and a star in Charlize Theron (the three of whom proved to be excellent collaborators with 2011's Young Adult). A sober examination of motherhood, Tully is both charming and a little mean. But really it's a revealing fable about the passage of time. 

8. The Mule

Clint Eastwood directed two movies in 2018. The first, The 15:17 to Paris, was a bizarre filmmaking exercise that boasted one of the worst screenplays in recent memory. The second, The Mule, proves that Eastwood is still a great director when working with good material. The Mule's screenplay is by Nick Schenk, who also penned Gran Torino. It's the story of 90-year-old horticulturist who becomes a drug mule. The pace is refreshingly relaxed, as the themes of work vs. family come to the forefront. Eastwood stars as the titular mule and the movie also features Bradley Cooper, Dianne Wiest, and Andy Garcia. 

7. Ben is Back

Ben is Back stars Lucas Hedges (son of the movie's writer-director Peter Hedges) as Ben, a young man who unexpectedly returns home from rehab on Christmas Eve. Julia Roberts plays his mother, who is determined to keep her son from relapsing. The story only spans a 24-hour period, but it touches on many facets of the opioid epidemic. It addresses the issue in a way that is bracing and unsentimental. Although it contains probably the best performance of Hedges' young career, the movie belongs to Roberts, as it is really about her mission. It's been a few years since she has had a movie role this good, but Roberts proves to be up to the task, deftly revealing the layered calculations of her character. 

6. Mary Poppins Returns

Did we need a sequel to Mary Poppins? Absolutely not. But if one had to be made, I'm glad it's this. Mary Poppins Returns is an exquisitely-crafted film that has, at its core, deep affection for the not just the original film but also movie musicals of that era in general. Perhaps Rob Marshall's best film since Chicago, it contains musical sequences that are nothing short of thrilling. The songs, by Marc Shaiman and Scott Whittman, are delights, with some lyrical wordplay that is surprisingly sophisticated for a children's movie. Emily Blunt puts her own spin on the character of Mary Poppins and Ben Whishaw is very good as a grieving Michael Banks.

5. First Man

If you had told me last year that I'd be defending First Man, I would have laughed in your face. When a biopic about Neil Armstrong was announced to be Damien Chazelle's next project, I rolled my eyes. I couldn't think of a less interesting follow-up to one of the most exciting original musicals in decades. I've seen far too many nice but conventional movies about great American heroes. I wasn't at all looking forward to another one. Critics were merely polite and it tanked at the box office, which all added to my surprise when I finally saw the film and realized that it's kind of astonishing. Really an interior character study about grief, First Man has so much more on its mind than most movies about people going into space. The shaky, handheld-like camera work of the domestic scenes are initially puzzling, until the brilliant payoff when all that came before contrasts with the utter stillness of the surface of the moon when Armstrong finally makes it there. And although all the scenes involving space travel are long and boring, the rest of the film is so well made, it almost doesn't matter. Ryan Gosling and Claire Foy give two of the best performances of the year as Armstrong and his wife Janet. Forget the moon landing, the tensest and most dramatic moment in the film is the Armstrong family sitting around the dinner table. 

4. Can You Ever Forgive Me?

It's a blast watching this darkly comedic true-life tale about literary forger Lee Israel. Although the movie somewhat delves into very heavy topics, it's never not enjoyable, thanks largely to the sharp screenplay by Nicole Holofcener and Jeff Whitty. Melissa McCarthy plays Israel as a woman who knows she's an extremely talented writer but who is forced to find a way to live in a world that doesn't value her talent. There's a melancholic strain to her performance that adds a level of depth that she rarely gets a chance to display in her films. She and Richard E. Grant make for the year's best on-screen duo.

3. Leave No Trace

One of the biggest surprises of 2018 was Leave No Trace, a beautiful movie about a father and daughter living on the margins of society. The relationship between the characters played by Ben Foster and Thomasin McKenzie is complex, as is the film's treatment of serious issues like homelessness and PTSD. Director Debra Granik has created one of the most thoughtful and rich films of the year. 

2. A Star is Born

I have already written much about A Star is Born, so I'll add nothing here except to say that what Bradley Cooper accomplished with this movie is something we'll all be talking about for a very long time. 

1. Lean on Pete

Much more than just the sad horse movie the trailers advertised, Lean on Pete is an emotionally devastating film. It’s a coming-of-age story that finds the human drama in sorting out the world around you, which takes the form of an odyssey through the Pacific Northwest. Andrew Haigh has made a deeply empathetic film that has stuck with me more than any other I saw this year. 

What was your favorite movie of the year? Let me know in the comments below! Thanks for reading!


Comments

Popular posts from this blog

Jim Parsons and Katie Holmes to Return to Broadway in Our Town: Review

A champagne problem of mine is that, having grown up in a suburb of New York, my knowledge of the theatrical canon is largely confined to the plays that have been revived on Broadway in my lifetime. And since Thornton Wilder’s seminal Our Town was last produced on the Main Stem when I was four years old, I had never encountered it until I saw Kenny Leon’s new revival, opening October 9th at the Barrymore Theatre. My theatre-going companion, hailing from a Midwestern small town not dissimilar from Grover’s Corners, was intimately familiar with the material via multiple high school interpretations. Despite being an oft produced play, Our Town had eluded me for so long that I was floored by the daringness and perceptiveness of the text when I finally saw it for myself. But that was all that floored me. Remarkably meta-theatrical for a play written in 1938, Our Town is both a play about life in a small town at the turn of the twentieth century and a play about a play about life in ...

Film Versions of "Little Women" Ranked

With Greta Gerwig's new version of Little Women now in theaters, it's time to look back at the versions that have come before. But first, a  note on what's not included in this ranking: I'm only ranking the major movie versions, so I'm excluding the lost 1917 British film, the lost 1918 American film, the 1978 TV miniseries starring Susan Dey and William Shatner, the 2005 Broadway musical (but watch this clip of Sutton Foster singing the one good song from the musical), the recent PBS miniseries, or the 2018 modern day movie version.  4. Little Women (1949) A Little Women movie lives or dies by its Jo, and unfortunately, June Allyson wasn't a great Jo. Though I'm usually a fan of her work, Allyson's performance here overshoots headstrong and lands on just plain irritating. It's a shame, since all the supporting players have been perfectly cast - including Liz Taylor as Amy, Margaret O'Brien as Beth and Janet Leigh as Meg. Also, this vers...

WB Stars in Peril: On Late ‘90s Horror

This post began as an essay written for the exclusive enjoyment of the attendees of my all day VHS horror movie marathon that I hosted at my apartment on October 18th, 2026. The theme of the marathon was late ‘90s teen horror, so we watched Final Destination, Urban Legend, The Faculty, I Know What You Did Last Summer, Scream, and The Blair Witch Project . As a Halloween treat for my loyal readers, I decided to share the essay with you all. Happy Halloween! The slasher flick was dead, to begin with. There is no doubt whatever about that. So, when  Scream  opened to boffo business at the box office in December 1996, kicking off not only a new franchise but an entire horror film revival, it was a plot twist worthy of the genre. For the next five or so years, the studios would release multiple teen slashers a year, constituting a boom time for a genre that was seen as long past its heyday of the late ‘70s and early ‘80s. These imitators of  Scream  took the template set...