Skip to main content

Great Performances Are Highlight of Moving But Flawed "The Glass Castle": Review

Image result for the glass castle 2017

Film Review: The Glass Castle


The trailer for The Glass Castle did not impress me. It looked like just another generic awards hopeful, but I was surprisingly quite moved by the film. The Glass Castle tells the story of the Walls family, led by father Rex (Woody Harrelson), an alcoholic who can't keep a steady job and moves his family (including his artist wife Rose Mary played by Naomi Watts) around often as a result. The film deals with the effects of living in poverty has on the family's children, mainly daughter Jeanette (played at different ages by Chandler Head, Ella Anderson, and Brie Larson). The film alternates between the story of Jeanette's childhood and when Jeanette is an adult gossip columnist in the 1980s in New York, where her parents are squatting in an abandoned building.

The movie is directed by Destin Daniel Cretton and written by Cretton and Andrew Lanham. I have a feeling that it would have been better if the story had been told chronologically instead of with two timelines told simultaneously. That way the audience would have a more complete view of how bad Rex got during Jeanette's childhood and could appropriately assess her actions as an adult. There are a couple of sequences that, directed by Cretton, are absolutely riveting, such as the scene where Rex tries to teach Jeanette how to swim by throwing her under the water. We know nothing bad is going to happen to her, but we are terrified nonetheless.

The three central performances are outstanding. Brie Larson plays Jeanette like a classic movie heroine. The central conflict of the film is actually within Jeanette, not Rex, and the movie is at its best when it's playing up that conflict in the '80s-set New York scenes. Naomi Watts' performance is so vibrant and alive, it just draws attention to the fact that the movie isn't really interested in her character. She'll have a great scene and then we won't see her again for ten minutes. Rose Mary appears to be somewhat unbalanced as well but the movie, unfortunately, doesn't delve into her psyche much. The best performance in the movie belongs to Woody Harrelson. The whole movie rests on whether or not the audience buys into his captivating, magnetic, frenzied face.

The major themes covered are about parents and children, and the way children think of their parents, in spite of themselves sometimes. Also touched upon are ideas about authenticity vs. materialism and the value of dreaming for the sake of dreaming. The ending of the film would come off as preposterous had this not been a true story (it's based on Jeanette Walls' memoir). But the movie does a good job at justifying Walls' decisions, even when the most of the audience is thinking they wouldn't do the same in that situation (although I suspect they are wrong about that). The very last scene leaves things just a little too neat for my liking. The Glass Castle definitely has its flaws, but even when it doesn't feel authentic, it always feels personal in a kind of storybook way. I can appreciate that.

What did YOU think of The Glass Castle? Let me know in the comments below! Thanks for reading!

Comments

Popular posts from this blog

"Marnie" is One of Alfred Hitchcock's Most Underrated Films: Review

Classic Film Review: "Marnie" (1964) If your list of favorite Alfred Hitchcock films does not include Marnie , you need to rethink your list. The 1964 film, adapted from the novel by Winston Graham, finds the Master of Suspense and his collaborators at the top of their game. Bernard Herrman's score is equal parts grand and hypnotic. Edith Head's costumes inform as much of Marnie's character as the script does. The production design is among the best in any Hitchcock film. It's a suspenseful psychodrama that allows Hitchcock to do what he does best. When it was originally released in July 1964, the film received mixed reviews from critics, ending a hot streak for Hitchcock that included North by Northwest, Pyscho, and The Birds . In the years since its initial release, Marnie has rightly become known as one of the films that best define Hitchcock's style. Tippi Hedren plays the titular Marnie, a thief who takes office jobs only to steal money from ...

"A Ghost Story" is Mysterious and Moving: Review

Film Review: A Ghost Story                                     Between   Personal Shopper  and David Lowery's A Ghost Story , 2017 has been a good year for thought-provoking ghost movies. Lowery's film is the stranger of the two, but still one of the most memorable movies in quite some time. It's an entrancing contemplation of love and loss, an exploration through time of what it means to be connected to a place, to a person.  Rooney Mara and Casey Affleck play an unnamed couple. We don't learn much about them, but we learn that they are in love. A heavy sense of dread pervades these early scenes of the film. Affleck's character dies and his ghost returns to his house to observe first Mara, then other occupants of the house and the land on which it sits. It has been said that when a person dies in a sudden traumatic way (like the car crash Affleck's character dies fr...

Flora The Red Menace: Ranking Kander & Ebb Musicals Part 1

  My new YouTube series examines the musical legacy of John Kander and Fred Ebb. Watch the video here, or, if you’d prefer, you can read my script for it below.  Over the next few months, I will be listening to the original Broadway cast album for the 15 musicals Kander & Ebb wrote together that have such a recording, one at a time, in chronological order, and ranking them.  So, why Kander & Ebb? I don’t know why the idea occurred to me, actually. I’m not really a Kander & Ebb guy. There are other composers who I rate more highly, and about half of these shows I have never listened to at all, but that’s what makes this an exciting journey of discovery.  I’m coming to them fresh. I have a few favorites, but I don’t know already what show is going to wind up on the top of my list. This’ll take us from 1965 to 2023, so we’ll be spanning the eras of the Broadway musical, and, of world history Unlike say, movies, it’s difficult to rank musicals because the...